Please use this identifier to cite or link to this item: https://gnanaganga.inflibnet.ac.in:8443/jspui/handle/123456789/4801
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dc.contributor.authorBaldini, Andrea L-
dc.date.accessioned2024-01-11T05:15:19Z-
dc.date.available2024-01-11T05:15:19Z-
dc.date.issued2023-06-07-
dc.identifier.issnhttps://doi.org/10.1093/jaac/kpad001-
dc.identifier.urihttp://gnanaganga.inflibnet.ac.in:8080/jspui/handle/123456789/4801-
dc.description.abstractIs graffiti writing creative activism? In this paper, I challenge commonly held beliefs that graffiti writing is politically inert. On the contrary, I argue that graffiti writing is an example of creative activism. Rather than being a narcissistic form of vandalism, primarily directed at increasing one’s fame in front of an esoteric group, that is, fellow writers, writing is a form of everyday resistance allowing its practitioners to challenge authoritarian power. In questioning dominant hierarchies, graffiti is a powerful tool to help correct a specific instance of spatial injustice: the unequal distribution of access to urban surfaces for self-expression in the city, where corporations and political elites hold an unjustified monopoly over visual communication.en_US
dc.language.isoenen_US
dc.publisherThe Journal of Aesthetics and Art Criticismen_US
dc.publisherOxford University Press-
dc.subjectGraffiti writingen_US
dc.subjectCreative activismen_US
dc.subjectEveryday resistanceen_US
dc.subjectSheeplike subversionen_US
dc.titleGraffiti Writing as Creative Activism: Getting Up, Sheeplike Subversion, and Everyday Resistanceen_US
dc.typeArticleen_US
Appears in Collections:Journal Articles

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