Please use this identifier to cite or link to this item:
https://gnanaganga.inflibnet.ac.in:8443/jspui/handle/123456789/4801
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Baldini, Andrea L | - |
dc.date.accessioned | 2024-01-11T05:15:19Z | - |
dc.date.available | 2024-01-11T05:15:19Z | - |
dc.date.issued | 2023-06-07 | - |
dc.identifier.issn | https://doi.org/10.1093/jaac/kpad001 | - |
dc.identifier.uri | http://gnanaganga.inflibnet.ac.in:8080/jspui/handle/123456789/4801 | - |
dc.description.abstract | Is graffiti writing creative activism? In this paper, I challenge commonly held beliefs that graffiti writing is politically inert. On the contrary, I argue that graffiti writing is an example of creative activism. Rather than being a narcissistic form of vandalism, primarily directed at increasing one’s fame in front of an esoteric group, that is, fellow writers, writing is a form of everyday resistance allowing its practitioners to challenge authoritarian power. In questioning dominant hierarchies, graffiti is a powerful tool to help correct a specific instance of spatial injustice: the unequal distribution of access to urban surfaces for self-expression in the city, where corporations and political elites hold an unjustified monopoly over visual communication. | en_US |
dc.language.iso | en | en_US |
dc.publisher | The Journal of Aesthetics and Art Criticism | en_US |
dc.publisher | Oxford University Press | - |
dc.subject | Graffiti writing | en_US |
dc.subject | Creative activism | en_US |
dc.subject | Everyday resistance | en_US |
dc.subject | Sheeplike subversion | en_US |
dc.title | Graffiti Writing as Creative Activism: Getting Up, Sheeplike Subversion, and Everyday Resistance | en_US |
dc.type | Article | en_US |
Appears in Collections: | Journal Articles |
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.